The 1865’s Honeychild Coleman on Brooklyn, baritone guitars, and Bo Diddley
Artist InterviewsKentuckian Honeychild Coleman is a multi-instrumentalist/vocalist and visual artist. She fronts blues-punk outfit The 1865 (Mass Appeal Records), spins as DJ Sugarfree BK, & plays bass/sings with Feminist Post Punk trio Bachslider. Collaborators/Guest Projects: Invisiblegirl Records (UK), Matteite Records (ITALY), The Slits, Burnt Sugar Arkestra, Mad Professor, Apollo Heights, Death Comet Crew (w/ Rammellzee), DJ Olive and Badawi (Raz Mesinai). The 1865’s song “The Drifter” was featured on our #39 podcast.
My favorite thing to wear onstage:
Winter: graphic tee or polo with vest and bandana + jeans; Summer – polo and shorts or kilt. My personal style leans towards preppy-punk. I like the structure,comfort and quality of classic men’s clothing mixed with colorful and custom pieces
photo credit: C.P. Krenkler
My favorite musical instrument or item that I purchased recently is:
I just purchased a guitar that I am planning to have converted into a Baritone – very excited. My original Baritone guitar is a amber wood toned P.R.S. The new/future baritone is a pale aqua blue Epiphone SG – different mood.
A baritone guitar has a longer scale length, typically a larger body, and heavier internal bracing, so it can be tuned to a lower pitch. Picture this one in aqua blue.
photo credit: Aaron Wilson Watson
The musical instrument or item that I really really want is:
A Shruti Box. I love the mesmerizing sound
[Editor’s Note: I had to educate myself on what a Shruti box is by watching this enlightening ten minute video. Thumbs up to this dude. And to the shruti box.]
The artist who has influenced me most is:
Bo Diddley. Bo was the original guitar-slinging back beat and surf style innovator, hot rod mechanic, humorous lyricist, and hair dresser (in addition to our mutual love for plaid)
Bo Didley in Prague in 2005. As a child he played trombone and orchestral violin.
Something I wish I’d known before joining a band:
Don’t compromise on your creativity – if the collaboration isn’t fun or makes you miserable, it’s OK to quit and move on.
I live in this city:
South Williamsburg, Brooklyn. So much culture and activity within reach, yet in my neighborhood I can walk around un-bothered (and the somewhat affordable rent)
the general vibe of this city is:
Anything goes – like the East Village was in the ’90s. One local bar near me has trap DJ and drag performances. Around the corner there’s an office set up to help manual laborers with ESL lessons and union applications. The vast variety of local designers, gourmet food, traditional Jewish bakeries and Latin/Caribbean food and music. My local electronics repair shop has been around since the early 70’s and it feels like you are catching up with a relative when you walk in. At the bodega on the corner they still hold your house keys for guests to pick up. In the middle of all this are, of course, there are new high rise condos.
Williamsburg, Brooklyn
the best place to play music here is:
Union Pool. Great sound – local walk in crowd and relaxed atmosphere, great room even when super packed
Union Pool, Williamsburg, “A bar where everyone thinks they might get laid,” according to the internet.
And evidently there is really a pool.
The best place to SEE music here is:
Baby’s All Right. Similar vibe to Rough Trade with upper mezzanine yet nice bar in front and restaurant – it feels like an experience moving from room to room
My favorite local band (aside from my own):
Megative. Modern Brooklyn two-tone with a touch of eerie dub electronics – great energy and tunes
I collect:
Fountain Pens. I have one Bakelite pen from the 1940s, a few modern US pens, and a few modern French pens (I pick up pens every time I visit Paris) and I write with them daily
Why not be both classy and interesting, in an Oscar Wilde kind of way? Honeychild Coleman is the first of our interviewees to collect vintage pens.
my favorite thing to watch on tv is:
Documentaries, thrillers and film noir. I’m drawn to reading and watching autobiographical narratives and history; Film noir draws me in on an aesthetic level, between the visual, the jargon and cadence of the dialogue
In my fridge you’ll always find:
Hot sauce (2-3 types), hummus, avocados, hard boiled eggs, dark chocolate
A winter indulgence that I would never forgo is:
Coconut Oil. It’s for every Season
if you’re going to buy me a gift, say in the under-$50 range, I would like:
Movie tickets
The last music I downloaded was:
Maximum Penalty “Life & Times”. I recently met the lead singer Jim when he played drums with us
My personal analysis of the current state of the music industry is:
Wide Open
photo credit: Ed Marshall Photography NYC
The 1865’s album `Don’t Tread on We’ is a musical exploration of what life was like for various characters in the year 1865.
Wide open is as wide open does.
the best place to eat breakfast in my city is:
Vegan: Champs Diner / Non-Vegan: Junior’s. Junior’s only tastes good in Brooklyn (sorry Manhattan) – Champs makes vegetables taste like pork, which appeals to the Southerner in me
Vegan “chicken” and waffles at Champs Diner
my favorite websites or apps are:
Instagram and WhatsApp. Instagram for art/sharing. WhatsApp for keeping in touch with my friends around the world
when people come to visit me, particularly if those people are cooler than I am, I take them to:
Duff’s Heavy Metal Bar. They would never expect me to hang out there
favorite seasonal beverage:
Lavender Lemonade
why
how to answer this without sounding like Eddie Murphy imitating Elvis in 3-2-1…..
Podcast 40 – A Human Disaster
PodcastsJohn’s stripping song. A lovin’ convocation. Rough toys. We unsuccessfully attempt to parse the Burger records business model. John invites challengers to beer-shotgunning contests. Roxy Music’s ultra-secret side project. More joy in marketing. And of course our music is excellent:
- Chris Bay with Bad Boys
- Valles with Trance de los Suburbios
- Thresher with Velcro
- Maxpain and the Groovies with Checkin’ Out Late
- This Electric Reptile with Bombay Sapphire
Thank you to Foot Gun for providing our theme song. (Please take a second to like Holy Crap Records on Facebook and friend us or whatever on Twitter. And our website, with lots of stuff on it about these and other bands, including artist interviews, is at www.hlycrp.com.)
Song We Like: Bombay Sapphire by This Electric Reptile
Songs We LikeJohn swears that this is Roxy Music in deep, deep, top secret disguise. Cinnamon thinks that talking to a horse and certain other phraseology hints at Eastern European origin. But any way you listen to it, this song will stay in your head, and it will make you want to drink gin. Right now. (Featured on our #40 podcast, A Human Disaster.)
Song We Like: Checkin’ Out Late by Maxpain and the Groovies
Songs We Like
A harder, bluesier festival kind of song for these harder, bluesier, post-festival times. This is a slightly sad-edged, fast-groove song about partying on the road, perfect for those times when you’re thinking wistfully about your beer-shotgunning days.(Featured on our #40 podcast, A Human Disaster.)
Song We Like: Velcro by Thresher
Songs We Like
Post-hardcore means when you add big guitar melodies on top of monotone, distorted, driving grooves. At least that is our calculation, based on this song. John’s special pick of the week. (Featured on our #40 podcast, A Human Disaster.)
Song We Like: Trance de los Suburbios by Valles
Songs We Like
Cool, smooth musical experimentation. Subtle and big, jaded, just remotely, subtly hopeful: it sounds like driving through the suburbs in the back of your parents’ car. (Featured on our #40 podcast, A Human Disaster.)
Song We Like: Bad Boyz by Chris Bay
Songs We Like
A song about a gay orgy. With that guitar solo. And Bad Boyz spelled with a ‘z.’ We’re feeling so much relief as we welcome back a part of the past that we didn’t realized that we missed until right now. (Featured on our #40 podcast, A Human Disaster.)
Your Idiot Brother is Not Ready for a Baby Yet, Thanks
Artist InterviewsMaxwell Helper/Your Idiot Brother just released his self-titled debut album last week (January 27th 2019). A song from that album, ‘Hoochie Coochie’ was featured on our #39 podcast on February 5 of the same year, which is certainly evidence of kismet and destiny.
My favorite thing to wear onstage:
Polkadots. Who doesn’t like polkadots?
[polkadots not pictured.]
The last musical instrument or musical-performance-related item that I bought and loved was:
Korg MS-2000 synthesizer. It’s super accessible with most of the controls laid out right in front of you, and it’s a great synth to learn on. Time seems to slip away every time I turn that thing on…
The musical instrument or musical-performance-related item that I really really really want is:
An 8-track reel-to-reel recorder. I’ve always wanted to play with tape more, and haven’t really gotten the chance yet…
The artist who has influenced me most is:
David Bowie. He never stuck to any script, and didn’t care what people wanted him to be or thought he should be. He was a shapeshifter in search of truth, perhaps a microcosm for what we all are as a species.
I live in Los Angeles.
I was born and raised here, and Los Angeles has always seemed to call me back (literally). Even when I tried to leave to the pacific northwest, it wasn’t two years before I had one of my best friends, Sean Bloom, convincing me to move back to Los Angeles to start a band (a band that is no longer). Nevertheless, I bring up his name because he was very instrumental (pun intended) in Your Idiot Brother’s self-titled debut album.
The general vibe of Los Angeles is:
Superficial. Genuine conversation and human connection is hard to come by here. There’s definitely some very real and interesting people here, but so many are seemingly disillusioned by social status or insecurity.
Genuine conversation and human connection is hard to come by here.
I collect:
Vinyl. It’s not very extensive, but I try to pick up cool records when I can. I was stoked to come across an original copy of the Fantasia soundtrack not too long ago. It has a really colorful booklet that goes into the history of all of the tracks too.
my favorite thing to watch on tv is:
Rick and Morty. A drunk genius that goes on adventures through absurd parallel dimensions with his idiot grandson? I love it. It’s as funny as it is intellectual too.
In my fridge you’ll always find:
Cheese
why
more chz plz..
A winter indulgence that I would never forgo is:
There’s no winter in Los Angeles
If you’re going to buy me a gift, say in the under-$50 range, I would like:
Anything that makes sound, even a terrible one. Except a baby. Please don’t give me a baby… at least not now.
Anything that makes sound, even a terrible one. Except a baby. Please don’t give me a baby… at least not now.
In my heart I wish I was:
Bruce Willis in ‘Unbreakable’. There’s actually no evidence that I’m NOT Bruce Willis’s character in ‘Unbreakable.’ I’ve never broken a bone (knock on wood).
Exhibit A. Exhibit B. No evidence exists that these are not the same person.
The best place to eat breakfast in my city is:
Off of my stovetop. Only I know how I like my eggs and hash browns. Breakfast can get risky out there…
When people come to visit me, particularly if those people are cooler than I am, I take them to:
Karaoke. I don’t like people that are cooler than me… We’ll see how cool they are once I sign them up for ‘Total Eclipse’ after 5 or 6 drinks.
favorite seasonal beverage:
Beer
why
you can drink it any season
What’s next for you musically?
The recently-released self-titled debut album last week (January 27th) was very much a DIY album. Although written and produced by Maxwell Helper, quite a few of his friends from UFO Therapy Records, a collective started by Sean Bloom (man Be Solo), are to thank in the recording and production of the album as well (album credits are on bandcamp). Your Idiot Brother is always writing and creating and you can definitely look for a second album to come perhaps as soon as next year. In case you’re interested, here’s a link to the collective: https://www.ufotherapyrecords.com/
Steve from Eerie Point on Toledo, Bob Dylan, and how to be like water
Artist InterviewsSteve Andrew is the lead singer of Eerie Point, whose song Artificial Things was featured on our #38 podcast. Born out of the Rust Belt (Toledo to be precise), Eerie Point embodies a sound that blends the alternative, indie, and blues roots of the band’s five members into something altogether new and exciting. Eerie Point prides itself on its diverse yet deeply refined sound that incorporates multiple styles of music to create a unique sound all its own.
My favorite thing to wear onstage:
One of my may University Toledo hats, or WWII Airborne War Paint. Because it’s badass, and I want people to know where the fuck I’m from.
It is hereby established that if you wear the right hat, women in the audience will reach up and grab your crotch.
The last musical instrument or musical-performance-related item that I bought and loved was:
My Mahogany 12-string Acoustic-electric Fender Hell Cat. 12’s just sound so big and bright, and it really puts power behind you. I’ve always been a huge fan of folk and blues-style sound and lyrics. Jimmy Page and Lead Belly are two of my all-time favorites, not just because they played 12-string, but because the way they played it. Page is a freak in his smoothness and his slide play and Lead Belly beats the ever-lovin’ shit out of it BAREHANDED. He just raw dogs that steel and it just perpetuates the power of his vocals; that’s what I want from my guitar. I want it to empower me, while complimenting the way I sing. It’s helped me get out of writing ruts, broadened my spectrum as a writer, and it kinds gives Eerie Point another way to stand out.
Lead Belly in 1948
The musical instrument or musical-performance-related item that I really really really want is:
a VoiceTone Pedal. Before 2012, I had always just played with myself, haha, instead of other people. Once I did, I’d become more curious in branching out, rather than just singing clean vocal. I’m excited to really try some different things. Everyone in Eerie Point plays one instrument or more, and while I do play some guitar, mostly in writing, and harmonica, my voice is my instrument. I love some distortion and reverb on a guitar, so why not on vocals? That’s something I really overlooked, and quite honestly was just simply ignorant on the fact of using different mic’s, let alone pedals. Everyone knows the talk box from Frampton, but I would never use something like that. One, because I’m not that great of a guitar player, and two I think it would sound so-loose butt hole; but maybe I’m wrong.
The artist who has influenced me most is:
With out question, Bob Dylan. I was a sophomore. At that time, I had been playing electric guitar for a few years, and my oldest brother got an acoustic. I was really into Jimi Hendrix at the time, and he had read his biography and saw that Dylan was Jimi’s favorite. He called me across the hall to his room and showed me the song “North Country Blues”. That was it. The story. An eerie, haunting voice playing an acoustic guitar. The tale of a begotten, and bereft mother in a closed-down, Minnesota mining town. I didn’t what folk was, I had never played an acoustic guitar, and I had no idea that song writing could be so artistic and thought provoking. At the time, Numetal, post-grunge, and eventually “Strip Club Rock” as I call it had been the huge, and Dylan completely took me out of that, and put me down a road that encouraged me to expand my mind, as well as my musical knowledge. I gave up my shitty electric guitar, bought a harmonica, and made a harp holster out of some hanger wires. I was a folk-freak living in the Midwest; I don’t think it’s all that crazy to imagine me finding something to associate within his art.
By the way, that guitar my brother bought, he ended up giving to me; it’s one the most important things I own. I actually wrote on it and he got pissed. “I’m not a communist, I’m an altruist”, an homage to “This Machine Kills Facists” on Woody Guthrie and Dylan’s guitar. He got over it.
Bob Dylan in 1963
Something I wish I’d known before joining/starting a band:
You’re going to suck. You have to go out there and just suck it up. Suck it allll up and take a big shit on the stage. Your sound equipment is gonna go out, your lights are gonna short out, your sound guy is going to get too hammered and fuck something up. Your gonna forget lyrics and your going to forget equipment and shit is gonna break, right in the middle of a song and your guitar player is gonna do his best and you have to go to a different song so he can restring his guitar. You’re going to get shit thrown at you by drunk people and people are going to yell shit.
You’re going to suck. You have to go out there and just suck it up. Suck it allll up and take a big shit on the stage. Your sound equipment is gonna go out, your lights are gonna short out, your sound guy is going to get too hammered and fuck something up.
But people are also going to keep coming and you’re going to get better and the best part of starting a band is being shitty, and getting better with your buddies. The songs get better, the notes and lyrics; it all gets better. And it’s all worth it, because the best joy in life is failing and not giving up, and coming right back and kickin’ ass.
I live in Toledo, Ohio.
It’s where I was born and raised. Go Rockets!
the general vibe of Toledo is
Rejuvenation. The entire city and downtown areas have been undergoing a complete renovation and gentrification over the last 15 years. There are local breweries, restaurants, bars all over the 419, and we have great sporting events. We also have the one of the top 5 zoos and museums in the country, not to mention the most historic minor league baseball team in American history, the Mud Hens. Toledo has spent a lot of time making it a great place to live, which is far from the Toledo I knew as a young boy. Also, it’s 40 minutes from Detroit, 2 hours from Cleveland and Columbus, and 4 from Cincinnati and Chicago. You couldn’t ask to live in a better city to live in and travel to see or play live music.
the best place to play music here is:
Civic Music Hall or the Ottawa Tavern. The Ottawa Tavern is a very intimate setting with one purpose: to be a place for local and small-time touring acts to come and play, while serving 35 ounce cans of PBR. Rock N’ Roll. Civic is the best place to play because it’s the biggest stage and venue in Toledo, aside from playing the Huntington Center. We packed that place for the Best Of Toledo competition and blew it out of the water. That was the best show we’ve ever had, and solidified us as the best original band in the Glass City. It’s freeing to be able to move around and really put your energy in to your songs, and it’s small enough to where you feed off the personal connection with the audience.
Eerie Point playing at the Civic Music Hall at the Best of Toledo competition
the best place to SEE music here WAS:
Headliners, on Detroit Avenue. Back in the mid-2000’s, we go to Headliners; it was basically a warehouse that they attached a bar too. It was sick. It was wide open and had two huge metal poles in the middle that people would climb up and do back flips off and mosh around. Chevelle released “This Type of Thinking Could Do Us In” in 04 and we went and saw them. Taproot opened for them and some small band at the time went first. I forget their name. Oh, yea 30 Seconds to Mars.
My favorite local band (aside from my own):
In Rhythm, Amelia Airhearts, and Human Juicebox. We love going to these bands’ shows and we’ve played a few with them, too. They all bring their own sound and are all different, but still have some good indie/pop/blues sound. Mostly, they are all pretty cool people.
I collect:
Tickets and wrist bands from all the shows and new venues we play and shows I’ve been to as a fan. I’m a pretty sentimental and I’m a nostalgia junkie. I like keeping pieces of memories, because I honestly don’t have that great a memory; probably from being hit in the head so much.
I’ve also always enjoyed stories my parents and grand-parents told me and pictures they would show me. My grandmother died of Alzheimer’s and the saddest thing was how she was robbed of her memories and her spirit; she was truly full of life. I guess I’m scared to lose my memories. I want to be able to look back on my life with fondness and laugh, and cry, and smile about it and hopefully my children’s children will want to know about our history, as well.
In my fridge you’ll always find:
A shit ton of hot sauce. I grill quite often and there is nothing better than chicken wings. I like to travel different places and always look for some good new sauces. I am not very kind to my stomach. I don’t like “want-to-kill-yourself-” hot stuff, though. That’s Dan. Once, I actually thought I was going into cardiac arrest because I ate one of Dan’s wings. He can take his Da Bomb sauce and go to Hell.
May cause cardiac arrest in rock stars
A winter indulgence that I would never forgo is:
Great Lakes Christmas Ale. It’s brewed right here on good ol’ Lake Erie and when you put that cinnamon sugar rim on there! Byyyeeeee….
if you’re going to buy me a gift, say in the under-$50 range, I would like:
A copy of Ghost Dad on DVD
The last music I downloaded was:
Black Holes (Solid Ground) by The Blue Stones. I caught wind of them trying to book a show in Detroit. They’re kicking off tour at a venue we’re pursuing and playing at Shaky Knees. They’re one of my new favorite bands. Also, Rival Sons and Cage the Elephant are continuously playing at my house. They are the two best bands in the world right now, in my opinion.
in my heart I wish I was:
like water.
because
Bruce Lee once said, “Empty your mind, be formless. Shapeless, like water. If you put water into a cup, it becomes the cup. You put water into a bottle and it becomes the bottle. You put it in a teapot, it becomes the teapot. Now, water can flow or it can crash. Be water, my friend.”
A beauty staple that I’m never without is:
My beard conditioner and a mohawk. I’ve had a mohawk since 2011 and it’s always been my style. Also, if a man wants to be seen, he should always look his best and nothing looks bester than a good beard.
My personal analysis of the current state of the music industry is:
I honestly don’t know what to make of it. The obvious point is that it has changed rapidly, but the argument is, “Is it better, or worse?”. One could argue that industry has minimized music to mp3 downloads, where artists get fractions of a cent for allowing their music to be downloaded various platforms. Another argument could be that it’s amazing for fans because now any monkey can type in a band on their phone and hear artists all around world, while sitting in their basement. Another is that any new band, or person can be heard at any moment. There is so much out there being shared, though you could also argue it makes it more difficult because there is so much to sift through. I really try not to pay attention to anything that is gonna make me too cynical, or too naive. There is still very much an innocence in me and in this band, and I hope we always try to keep that.
the best place to eat breakfast in my city is:
My cousin’s house.
why
We cook for an army.
favorite seasonal beverage:
Great Lakes Christmas Ale or a White Russian
why
the Dude abides.