Band Management: Blog 38: Online Radio

Band Management: Blog 38: Online Radio

I am managing “Band A” for one year, because I want to understand the current music eco-system, post implosion of the larger music industry, where we now have this mass produced corporate kick-in-the-balls awfulness (oh but I do like Taylor Swift’s Shake-It-Off) and then a post-apocalyptic landscape with all the cockroaches creating basic communities to survive. Well, us cockroaches are making the greatest music ever, greatest art explosion ever, greatest music scenes ever.
I’ve been kinda successful at getting Band A played on college and indie radio stations: if I send out 20 emails to stations then Band A will get played or put on rotation somewhere. And then I had the idea that there are tons of great online radio stations – also flopping around in the wilderness and dust and ashes. I started digging around and found Karen’s Indies and Belter Radio over in Scotland. Sure enough “Band A” got played…
In other “Band A” news – they headed back to El Rancho Morbido Studios for another morning with engineer/producer Edward Madill to finish their cover of Suicide’s “Johnny” for the Kafadan Kontak Records compilation release. Somehow “Band A” has turned the original 2-minute electronic blues drone about “Johnny” into a 4-minute blues drone about “Johnny.” Well, it doesn’t sound like musical soup and the vocals are catchy as all hell. Still working out with Ed how much we want the vocals in the foreground. But I love early REM and Nirvana when the vocal’s aren’t so clear… But maybe that is dumb because Band A is like early Blondie, that punk/new wave/garage rock, and those vocals are way in the front of the mix…
Also, “Band A” just played The Grey Eagle and the singer is real excited about being on their TV sets…

Ep 69 – Hayley and the Crushers, Secret Nudist Friends, Darby Wilcox and the Peep Show, Daddy Long Legs, Thee Sidewalk Surfers

Ep 69 – Hayley and the Crushers, Secret Nudist Friends, Darby Wilcox and the Peep Show, Daddy Long Legs, Thee Sidewalk Surfers


Best of the underground, week of Sept 3, 2019! Lots of great music, plus: BAYLA!!! Plus, your favorite labor union organizers!!! Also, we shoot John with nerf guns. (All podcasts are on itunes and spotify, and reviews plus podcasts are on our website, and you can also follow us on Facebook, Instagram, and, reluctantly and occasionally, Twitter.) We love you artists 💚

Band Management: Blog 37: King Pizza Records

Band Management: Blog 37: King Pizza Records

I am managing “Band A” for one year as an exploration of the music industry – and if we can be successful promoting “Band A” then we’ll consider turning Holy Crap Records Podcast into an indie label. 
To be successful as a label you have to be useful, you have to make money, you have to be able to increase sales for your bands. You have to get the band heard by a larger audience. You have to be able to get press for a band, get them played on radio, get them on tour and playing festivals… 
I am also creating the weekly podcast about the 5 best underground songs of the week. So I get to follow bands and figure out which labels are putting out the best music. A bunch of the bands we’ve been playing (The Mad Doctors, LUMPS, Top Nachos… ) are all on one label – King Pizza Records, the tastiest underground label in all of NYC. So I knew I had to talk to Greg Hanson about the underground music world…

Band Management: Blog 36: The Tribute Album

Band Management: Blog 36: The Tribute Album

I am miss-managing “Band A” for 1-year. They have been asked by their label Kafadan Kontak Records to record a Suicide song for a tribute album. 
So, taking a step back: 1) It’s fun as hell to be given a crazy creative assignment from KK Records, 2) Suicide are great – you probably know them because Springsteen covered their song “Dream Baby Dream,” and 3) this is totally like Project Runway and “Band A” has to make the best cover song on this compilation album, cause I am a competitive fucker and a Project Runway fanboy. 
The song is “Johnny” by Suicide, their first ever single. A couple of members of “Band A” sat around last week and came to agreement on the chords (E, A, 😎, and the structure, which is very close to classic blues. The original has droning electronic drums, a simple bass riff, and the repetitive snarled story of Johnny looking for love and trouble. 
“Band A” played it over and over and over on Sunday afternoon. Then on Monday morning “Band A” showed up to El Rancho Morbido Studios to work with producer/engineer Edward Madill
The bass player couldn’t figure out the original bass part, so a new bass part had been added – a repetitive take on the Joy Division “Love Will Tear Us Apart” synth riff. A concluding narrative was added by the singer. So Johnny wasn’t just being a bad-ass – he was looking for her, and she was with someone else, and she was gonna make Johnny weep. The drums were stripped back to sound more Velvet Underground and less like an early electronica beat.
And this is how “Band A” recorded the track. First, they recorded a scratch track. They played the song over and over and over until the rhythm guitar player said “can we try it a little faster?” And the faster take was the scratch track. And that was about it, really. The singer tried vocals two more times – but decided the scratch vocals were the best. El Rancho Morbido studios have an organ and the singer played organ over the song – and that was pared-down to accent the chorus turn-around. A slide guitar was added and that was pared-down too. Some chanting was added to the end. And that was it.
Does it sound like a winner? You know I’m trying to be honest with this blog: it sounds interesting if you have headphones on and like musical soup if you don’t. The vocal melody is a lot more catchy. It’s definitely interesting. Don’t bore the judges. And “Band A” is heading back to the studio on Friday morning to clean it up.

Song We Like: Johanna by Shining Mirrors

Song We Like: Johanna by Shining Mirrors

A love song about a girl who is against gentrification. In all the great stories of heartbreak you have a couple who just can’t make it. The forces against them are too strong. The classic Romeo and Juliet story. Here you have a Johanna from the Bronx, who is wary of all the cool kids moving into New York City, and then you have the indie musician who has moved to New York City and fallen for her. Super fun and super catchy. Featured on our #68 podcast at www.hlycrp.com.

Song We Like: In Love With A Boy by Tiger Darrow

Song We Like: In Love With A Boy by Tiger Darrow

We love innocent sweet nerd rock. We really mean this. At times like this we need a love song about a boy going to Shakespeare camp and being in an indie band. Claps, snaps, acoustic guitar and a million references about this first crush on a boy in 5th grade and then the intertwining of lives all the way through their nerdy teenage years – and best of all – he feels the same way about this girl! Yes! Featured on our #68 podcast at www.hlycrp.com.

Song We Like: Psychic Girl by Reptilians from Andromeda

Song We Like: Psychic Girl by Reptilians from Andromeda

Possibly the coolest song we’ve played all year long. Epic cool swagger. These creatures from Andromeda stalk the underground music scene, thin, pale, clad in black. This reminds me of the Brian Jonestown Massacre, grabbing pieces of psychedelic late sixties rock and post punk gloom and creating something totally new and strange and wonderful. Featured on our #68 podcast at www.hlycrp.com.

Song We Like: Driftwood Dancer by Slow Poison

Song We Like: Driftwood Dancer by Slow Poison

You talk like the kind that keeps score. Yeah I keep score and there is nothing but goodness and talent in this track. This is fantastic surf / rockabilly updating – and then there’s this other-worldly yowl that take the song to another dimension. This is the primal essence of soul. Featured on our #68 podcast at www.hlycrp.com.

Song We Like: Think Twice by Kitty Tsunami

Song We Like: Think Twice by Kitty Tsunami

These are the cool kids that brought excellent pop songwriting to the Asheville underground scene – and nothing has been the same since then. This is the lead single for their latest album coming out in October. This is all cool hooky indie surf rock with a driving beat whipping it forward. Try not to dance and groove to this track  Featured on our #68 podcast at www.hlycrp.com.